CAET Journal
Volume 11, Issue 2, Pages 301-319
Growing up in the South Asian city of Bengaluru and experiencing its rapid development left us feeling isolated, uprooted from community, and ourselves. We develop an outdoor peer-art practice: the na-dhi method to reflect on changing ideas of home. In the course of the study, we use the practice to reflect on larger conversations on alienation and the question of access to public spaces in an urban Indian context.
在南亚城市班加罗尔成长并经历其快速发展,使我们感到孤立,与社区和自我脱节。我们发展了一种户外同伴艺术实践:na-dhi方法,以反思关于家的不断变化的观念。在本研究过程中,我们运用该实践反思关于异化的更广泛对话,以及在印度城市语境中获取公共空间的问题。
peer-art practice, alienation, art-based methods, nature and wellbeing, politics of space, urban India, urban studies.
同伴艺术实践, 异化, 艺术本位方法, 自然与福祉, 空间政治, 印度城市, 城市研究.
Received 28 December 2025
Accepted 28 December 2025
This is an open access article.
